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Origins

THE DEFAMATION EXPERIENCE was created and written by award winning playwright Todd Logan and premiered in November 2010. Since then it has been seen by more than 75,000 people and performed more than 400 times at venues including College, Universities, Law Schools, Bar Associations and legal organization, diversity conferences, civic & religious organizations, high schools, middle schools, chambers of commerce.

 A letter from the creator, Todd Logan

 

THE DEFAMATION EXPERIENCE was born from an unsettling personal encounter.

More than a decade ago, I went to a reading of a friend's play, and joined the cast for drinks afterward. Two of the actors were African-American. I couldn't remember the last time I'd socialized with an African-American person. At some point, one of the actors regaled us with his impression of riding a horse at a weekend cattle round-up vacation. His impression reminded me of Cleavon Little in the movie Blazing Saddles, but I realized I was too intimidated to tell him that. I was concerned he and others might think I was only making the comparison because he and Little were African-Americans.

As I drove to my home in one of Chicago's “lily-white" suburbs, I asked myself many painful questions about where I chose to live, clubs I belonged to, and the lack of diversity among my friends and community. I knew I wasn't unique. Most of us still go to bed at night in cities, communities and neighborhoods that are segregated by race, religion, ethnicity and class. I decided to write a play that would spur self-examination and honest conversation.

THE DEFAMATION EXPERIENCE was first performed as a stage reading at DePaul University for an audience of 12 in May 2009, just a few months into the Obama Administration. It was an interesting time for American race relations, with some declaring our society "post racial" and others cautioning, as does one of the characters in the play, "just because Barack Obama is president, we're a long way from a level playing field."

TODAY

As THE DEFAMATION EXPERIENCE nears its 400th performance at the beginning of the Trump Administration and the rise of American white nationalism, we have entered a disturbing time where race, class, and religious conflicts are even more heightened. We are also confronting a systemic culture of sexism, as countless women - and some men - step forward to recount abuse at the hands of men in positions of power.

Many are asking, "What happened to hope and change?" Amidst our growing cultural storms, THE DEFAMATION EXPERIENCE continually reveals to me that there's plenty of sun to be found.

I find it at every performance, whether for corporate executives or high school students and regardless age, race, ethnicity or socio-economic status. Audience members quickly acclimate to serving as jurors, and deliberations are always thoughtful and civil. The courtroom environment the drama creates gives jurors the courage to speak up and instills a sense of courtesy and respect towards others. Most importantly, post-show discussions reveal a national hunger for honest conversation. People want to hear and be heard. They want to heal and be healed.

THE DEFAMATION EXPERIENCE has proven to be what I hoped. It is a way to challenge pre-conceived notions.  It is a way to start a conversation. It is a testament to the power of civil discourse. It is a bridge to both healing and hearing.

I hope you'll enter into THE EXPERIENCE and become part of the conversation, too.

 

Warmly,

Todd

Creator/Playwright, The Defamation Experience

 A letter from the creator, Todd Logan

 

THE DEFAMATION EXPERIENCE was born from an unsettling personal encounter.

More than a decade ago, I went to a reading of a friend's play, and joined the cast for drinks afterward. Two of the actors were African-American. I couldn't remember the last time I'd socialized with an African-American person. At some point, one of the actors regaled us with his impression of riding a horse at a weekend cattle round-up vacation. His impression reminded me of Cleavon Little in the movie Blazing Saddles, but I realized I was too intimidated to tell him that. I was concerned he and others might think I was only making the comparison because he and Little were African-Americans.

As I drove to my home in one of Chicago's “lily-white" suburbs, I asked myself many painful questions about where I chose to live, clubs I belonged to, and the lack of diversity among my friends and community. I knew I wasn't unique. Most of us still go to bed at night in cities, communities and neighborhoods that are segregated by race, religion, ethnicity and class. I decided to write a play that would spur self-examination and honest conversation.

THE DEFAMATION EXPERIENCE was first performed as a stage reading at DePaul University for an audience of 12 in May 2009, just a few months into the Obama Administration. It was an interesting time for American race relations, with some declaring our society "post racial" and others cautioning, as does one of the characters in the play, "just because Barack Obama is president, we're a long way from a level playing field."

TODAY

As THE DEFAMATION EXPERIENCE nears its 400th performance at the beginning of the Trump Administration and the rise of American white nationalism, we have entered a disturbing time where race, class, and religious conflicts are even more heightened. We are also confronting a systemic culture of sexism, as countless women - and some men - step forward to recount abuse at the hands of men in positions of power.

Many are asking, "What happened to hope and change?" Amidst our growing cultural storms, THE DEFAMATION EXPERIENCE continually reveals to me that there's plenty of sun to be found.

I find it at every performance, whether for corporate executives or high school students and regardless age, race, ethnicity or socio-economic status. Audience members quickly acclimate to serving as jurors, and deliberations are always thoughtful and civil. The courtroom environment the drama creates gives jurors the courage to speak up and instills a sense of courtesy and respect towards others. Most importantly, post-show discussions reveal a national hunger for honest conversation. People want to hear and be heard. They want to heal and be healed.

THE DEFAMATION EXPERIENCE has proven to be what I hoped. It is a way to challenge pre-conceived notions.  It is a way to start a conversation. It is a testament to the power of civil discourse. It is a bridge to both healing and hearing.

I hope you'll enter into THE EXPERIENCE and become part of the conversation, too.

 

Warmly,

Todd

Creator/Playwright, The Defamation Experience